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The C-LOL 251 FX is great for Jazz Drum overhead, nylon strings, baritone sax.
Designed to reference a Vintage ELam 251.
DETAILS:
The C-LOL 251 TL is a stunning mic for nylon-stringed guitars or harps.
Designed to reference a Vintage ELam-251.
DETAILS:
3 Zigma Hybrid Mic System - Ultra-High Low Noise Mic
C-LOL 251 | Unique tonality. Considered our 2nd brightest mic. Described as silky with an Airband boost. Smooth Mid Response and a full low end.
HA-TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path with no superfluous circuitry to encumber or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder
Shock Mount | for HA-TL Head Amps.
Includes Jewel Box
Type: Quasi-Class A Pressure Gradient FET LD Condenser Microphone
Polar pattern: Fixed Cardioid
Sensitivity: -34dB (20mV/Pa)
Impedance: 100Ω S/N
Ratio: 86dB (Ref: 1Pa/A-Weighted)
Equivalent Noise Level: 8dB (A-weighted IEC 268-4)
Max SPL for 0.5%THD: 138dB
Power Requirements: Phantom power 48V
Italian | Spanish | German | UK | US | Japanese | Chinese | Russian | Korean |
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34 | 30 | 28 | 4 | 00 | 3 | 155/75A | 36 | 44 |
36 | 32 | 30 | 6 | 0 | 5 | 155/80A | 38 | 44 |
38 | 34 | 32 | 8 | 2 | 7 | 160/84A | 40 | 55 |
40 | 36 | 34 | 10 | 4 | 9 | 165/88A | 42 | 55 |
42 | 38 | 36 | 12 | 6 | 11 | 170/92A | 44 | 66 |
44 | 40 | 38 | 14 | 8 | 13 | 175/96A | 46 | 66 |
46 | 42 | 40 | 16 | 10 | 15 | 170/98A | 48 | 77 |
48 | 44 | 42 | 18 | 12 | 17 | 170/100B | 50 | 77 |
50 | 46 | 44 | 20 | 14 | 19 | 175/100B | 52 | 88 |
52 | 48 | 46 | 22 | 16 | 21 | 180/104B | 54 | 88 |