Inspired by several of our bat-ear, beta-testers and musician approved for many years
The Hybridmic System Acoustic & Electric Guitar Kit Modular Components:
CLOL 12 | Brightest of our capsules. Smooth response throughout frequency range especially the Hi Mids up through the Highs. Cuts through in a mix. Solid Fundamental Lows.
When paired with the HA TL II the Ultra-Low Noise Transformerless Head Amp. The CLOL 12 is an amazing acoustic guitar mic with super-low self noise, designed to reference a Vintage C 12.
When paired with the HA FX Ultra High SPL Transformer Coupled Head Amp the CLOL 12 Capsule Module is a great Drum O/H Mic where a brilliant wash of cymbals is desired, designed to reference a Vintage C 12.
CLOL 67 | Early 60’s Vintage mic vibe. Beautiful tonal color. Just the right amount of scoop in the nasal/ sibilance range. Slightly more presence than the CLOL 47 but less top end. Nicely balanced lows/Low Mids.
When paired with the HA TL II the Ultra-Low Noise Transformerless Head Amp. The CLOL 67 FX is amazing on Reed Instruments, slightly distorted guitar cabinets, or even vocals. Designed to reference a Vintage U 67.
When paired with the HA FX Early 60’s Vintage mic vibe. Beautiful tonal color. Just the right amount of scoop in the nasal/ sibilance range. Slightly more presence than the CLOL-47 but less top end. Nicely balanced lows/Low Mids.
2 – SD C Cardioid Capsule | Cardioid pattern with a nice, flat frequency response for a true and neutral sound. A very typical SD capsule, probably the one you'll use most often. Straight cardioids pattern with nice, flat frequency response with only minimal treble peak, giving a very true and neutral sound with just enough reach and directionality for most jobs. The proximity effect is totally predictable. Voiced between the darker KM-84 and the bright Schoeps CMC6
When paired with the HA TL II Perhaps the perfect coincident stereo pair, not too bright, not too dark, and very transparent.
When paired with the HA FX The SD C FX is a great small diameter cardioid for loud sources. Especially designed for miking loud sources such as drum O/H.
SD O F Omni Capsule | Free Field response: to be used when a relatively flat treble is required on axis, for instance when the source needs to be accurately represented (darker room sound).
When paired with the HA TL II it is a wonderful overhead mic for choir, orchestra, or instrument miking. Especially designed for closer omni mic technique such as over the head of a choir or instrumentalist or nearby stereo mic technique of grand piano or other critical instruments.
When paired with the HA FX ??
SD H Hyper Cardioid Capsule | A more directional version of the Cardioid capsule, with more proximity effect. The treble response is still very realistic and to some people, will actually sound more "real" than the cardioid.
When paired with the HA TL II It is perhaps the most perfect upright bass, or on-stage acoustic guitar mic.
When paired with the HA FX It is a fabulous ultra high SPL (Sound Pressure Level ) close mic technique small diameter that is perfect for snare or other drum elements.
HA TL II | developed to be the cleanest amp we could build. Straight wire theory. Extremely low noise. Transformerless design offers a straightforward signal path (with no superfluous circuitry to encumber) or possibly distort the imaging of the capsule's character. What goes in is what comes out - only louder.
HA FX | We added a transformer for a little audio color – Also added a high pass filter and a pad switch for flexibility.
2 – Shock Mounts | 1 for each Head Amp
Includes Jewel Box
Ships Via: Fed Ex or U.S.P.S.